DSLR카메라렌탈 | 다양한 DSLR 카메라 렌탈 서비스

DSLR 카메라 렌탈 – 최고 품질과 저렴한 가격으로

1.1. 메인 카메라 패키지

– ARRI ALEXA Mini 패키지 (ULTRA)
– ARRI ALEXA Mini 패키지 (COOKE S4i)
– ARRI ALEXA Mini 패키지 (Summicron)
– ARRI ALEXA Mini LF 패키지 (SUPREME)
– ARRI ALEXA 35 BASIC SET
– ARRI ALEXA 35 FULL SET
– ARRI ALEXA Mini LF FULL SET
– ARRI ALEXA Mini LF BASIC SET
– ARRI ALEXA SXT PLUS FULL SET
– ARRI ALEXA SXT PLUS BASIC SET
– ARRI ALEXA MINI FULL SET
– ARRI ALEXA MINI BASIC SET
– SONY VENICE FULL SET
– SONY VENICE BASIC SET
– RED GEMINI 5K S35 FULL SET
– RED GEMINI 5K S35 BASIC SET
– RED EPIC-W HELIUM 8K FULL SET (EF/PL)
– RED EPIC-W HELIUM 8K BASIC SET (EF/PL)
– RED KOMODO 6K FULL SET
– RED KOMODO 6K BASIC SET
– RED RAVEN 패키지
– BlackMagic URSA Mini Pro 4.6K G2(EF)

1.2. 카메라 악세사리

– ARRI Signature Zoom 45-135mm T2.8 (LPL)
– Angenieux Zoom Type EZ-1 (Standard)
– Angenieux Zoom Type EZ-2 (Wide)
– Angenieux Optimo Ultra 12X S35
– Leitz Cine Prime 40mm T1.8 (PL)
– Leitz Cine Prime 180mm T2.0 (PL)
– Cooke S8/i 135mm T1.4 (PL)
– Cooke S8/i 100mm T1.4 (PL)
– Cooke S8/i 5 LENS SET (PL)
– Cooke S8/i 6 LENS SET (PL)
– Leitz Cine Prime 5 LENS SET (PL)
– ARRI Master Anamorphic 5 LENS SET (PL)
– Cooke Anamorphic iFFP 4 LENS SET (PL)
– ARRI Master Anamorphic 4 LENS SET (PL)
– ARRI Master Anamorphic 3 LENS SET (PL)
– ARRI Signature Prime 5 LENS SET (LPL)
– ARRI MASTER PRIME 5 LENS SET-A (PL)
– ARRI MASTER PRIME 5 LENS SET-B (PL)
– ARRI ALURA ZOOM 2 LENS SET (PL)
– ZEISS SUPREME PRIME 5 LENS SET (PL/LPL)
– LEICA Summicron 7 LENS SET (PL)
– LEICA Summicron 5 LENS SET (PL)
– COOKE S4i 5 LENS SET (PL)
– ARRI ULTRA PRIME 5 LENS SET (PL)
– ZEISS Compact Prime CP.3 6 LENS SET (EF/PL)
– SIGMA FF Classic Prime 6 LENS SET (PL)
– ZEISS Compact Prime CP.3 5 LENS SET (EF/PL)
– SIGMA FF Classic Prime 5 LENS SET (PL)
– RED PRO PRIME 6 LENS SET (PL)
– IBE LPLx2 VV Extender
– FREEFLY MŌVI PRO FULL SET
– FREEFLY MŌVI PRO BASIC SET
– Wireless Controller WCU-4 [3액션]
– Zoom Main Unit ZMU-3A
– Teradek Bolt XT 1000 1:2
– Teradek Bolt Pro 1000 1:2
– TVLogic 17″ LVM-170 + HollyLand Cosmo 600 SET
– Teradek Bolt XT 1000 1:1
– Teradek Bolt Pro 1000 1:1
– TVLogic 24″ LVM-241S + Battery Set
– TVLogic 24″ LVM-241S
– TVLogic 17″ LVM-171A
– Hollyland Cosmo 400 1:1
– ARRI Shoulder SET S-2
– Sachtler Video 30 Fluid Head
– Video Devices, Pix 240i
– TVLogic 7″ LVM 075A
– ARRI Matte Box LMB-25 Three Stage set
– ARRI Follow Focus FF-2 Set 19mm
– Sachtler Video 25 II Fluid Head
– Ronford Tripod Heavy Set
– Ronford Tripod Carbon Set
– ARRI Master Anamorphic Flare
– ARRI Cforce Plus Motor
– ARRI Motor Controller AMC-1
– TVLogic 24″ LVM-241S + Battery Set
– TVLogic 24″ LVM-241S
– TVLogic 17″ LVM-171A
– Hollyland Cosmo 400 1:1
– ARRI Shoulder SET S-2
– Sachtler Video 30 Fluid Head
– Video Devices, Pix 240i
– TVLogic 7″ LVM 075A
– ARRI Matte Box LMB-25 Three Stage set
– LEICA CINE MACROLUX +1
– Sachtler DA 150 Medium
– Sachtler EFP 2CF
– Reservation
– How it Works
– Point guidance
– Customer Center

2. 카메라 렌즈

2.1. 표준 렌즈

– ZEISS Standard Speed T2.1 6 LENS SET (PL)
– Cooke SP3 full frame 5 LENS SET (EF)
– Leitz Summilux-C 6 LENS SET (PL)
– Cooke Anamorphic iFFP 5 LENS SET (PL)

2.2. 광각 렌즈

– ARRI Signature Prime 5 LENS SET (LPL)
– Cooke S8/i 5 LENS SET (PL)
– Cooke S8/i 6 LENS SET (PL)
– Leitz Cine Prime 5 LENS SET (PL)

2.3. 망원 렌즈

– ARRI ALURA ZOOM 2 LENS SET (PL)
– ZEISS SUPREME PRIME 5 LENS SET (PL/LPL)
– LEICA Summicron 7 LENS SET (PL)
– LEICA Summicron 5 LENS SET (PL)
– COOKE S4i 5 LENS SET (PL)
– ARRI ULTRA PRIME 5 LENS SET (PL)
– ZEISS Compact Prime CP.3 6 LENS SET (EF/PL)
– SIGMA FF Classic Prime 6 LENS SET (PL)
– ZEISS Compact Prime CP.3 5 LENS SET (EF/PL)
– SIGMA FF Classic Prime 5 LENS SET (PL)

제2부 카메라 렌즈

3. Lighting Equipment

3.1. Continuous Lighting

3.1.1. Overview
Continuous lighting is a type of lighting that provides a constant source of light for photography or videography. Unlike strobe lighting, which produces short bursts of light, continuous lighting offers a continuous and steady source of illumination.

3.1.2. Types of Continuous Lighting
There are several types of continuous lighting options available, each with its own unique features and benefits. Some of the most common types include:

3.1.2.1. LED Lights
LED lights have become increasingly popular in the photography and videography industry due to their energy efficiency and versatility. They produce consistent and adjustable light output, making them suitable for different shooting conditions.

3.1.2.2. Fluorescent Lights
Fluorescent lights are another popular choice for continuous lighting. They are known for their cool temperature and even lighting distribution. They are often used in studio settings for portrait or product photography.

3.1.2.3. Tungsten Lights
Tungsten lights, also known as incandescent lights, have been widely used in the industry for many years. They produce a warm, yellowish light that adds a natural and cinematic feel to the scene. However, they generate a significant amount of heat and consume more power compared to LED or fluorescent lights.

3.1.3. Pros and Cons
Continuous lighting has its own advantages and disadvantages. Here are some of the pros and cons:

3.1.3.1. Pros
– Provides a constant source of light, allowing for better preview of the final result.
– Easier to set up and adjust compared to strobe lighting.
– Suitable for shooting video or capturing moving subjects.

3.1.3.2. Cons
– Generates heat, which can be uncomfortable for both the subjects and the photographer.
– Consumes more power compared to strobe lighting.
– May not be as powerful as strobe lighting for certain shooting situations.

3.2. Strobe Lighting

3.2.1. Overview
Strobe lighting, also known as flash lighting, is a type of lighting that produces a powerful burst of light for a very short duration. It is commonly used in photography to freeze motion and capture crisp images.

3.2.2. Types of Strobe Lighting
There are various types of strobe lighting options available, catering to different shooting needs and preferences. Here are some popular types:

3.2.2.1. Studio Strobes
Studio strobes are powerful flash units designed specifically for studio photography. They offer adjustable power outputs, recycle times, and modeling lights for better control over the lighting setup.

3.2.2.2. Speedlights
Speedlights, also known as on-camera flashes, are compact and portable strobe lights that can be mounted on top of the camera or used off-camera. They are great for mobile and event photography, providing convenient and versatile lighting solutions.

3.2.2.3. Monolights
Monolights are self-contained strobe lighting units that incorporate the flash tube, modeling light, and power source into a single package. They are often used in studio settings, providing a portable and efficient lighting solution.

3.2.3. Pros and Cons
Strobe lighting offers unique advantages and disadvantages in comparison to continuous lighting. Here are some of the pros and cons:

3.2.3.1. Pros
– Powerful light output, suitable for freezing motion and capturing sharp images.
– Quick recycle times, allowing for multiple shots in rapid succession.
– Versatile and compatible with various light modifiers for creative lighting effects.

3.2.3.2. Cons
– Limited preview of the final result due to the short burst of light.
– May require additional equipment, such as triggers or receivers, for off-camera use.
– Steeper learning curve compared to continuous lighting.

3.3. Light Modifiers

3.3.1. Overview

Light modifiers are accessories used to shape, diffuse, or control the light emitted by lighting equipment. They can greatly enhance the quality and versatility of the lighting setup for photography or videography.

3.3.2. Types of Light Modifiers
There is a wide range of light modifiers available, each serving a specific purpose to achieve desired lighting effects. Here are some common types:

3.3.2.1. Softboxes
Softboxes are used to create soft, diffused lighting by spreading the light over a larger surface area. They are ideal for portrait photography, as they produce even and flattering light with reduced harsh shadows.

3.3.2.2. Umbrellas
Umbrellas are affordable and versatile light modifiers that come in various styles, including shoot-through and reflective umbrellas. They provide quick and easy diffusion of light, making them suitable for both studio and outdoor use.

3.3.2.3. Reflectors
Reflectors are used to bounce and redirect light, helping to fill in shadows and add highlights to the subject. They come in different colors and surfaces, such as gold, silver, white, and black, offering control over the color and intensity of the reflected light.

3.3.2.4. Snoots and Grids
Snoots and grids are used to direct and focus the light onto a specific area, creating a more directional and dramatic effect. They are commonly used in fashion or portrait photography to highlight specific features or add a spotlight effect.

3.3.3. Pros and Cons
Light modifiers can significantly improve the quality of light and allow for more creative control over the lighting setup. Here are some of the pros and cons:

3.3.3.1. Pros
– Enhance the quality of light by diffusing or shaping it to desired effects.
– Provide control over the direction, intensity, and spread of light.
– Create more visually appealing and professional-looking images.

3.3.3.2. Cons
– May require additional setup time and adjustment compared to bare lighting equipment.
– Some light modifiers may be bulky or require additional mounting equipment.
– Different light modifiers may be required for different shooting scenarios or effects.

4. Audio Equipment

4.1. Microphones

4.1.1. Overview
Microphones are essential tools for capturing high-quality audio in various applications, including filmmaking, interviews, podcasts, and music recordings. They convert sound waves into electrical signals that can be recorded and amplified.

4.1.2. Types of Microphones
There is a wide range of microphones available, each designed for specific purposes and environments. Here are some common types:

4.1.2.1. Shotgun Microphones
Shotgun microphones are highly directional microphones that excel at capturing sound from a specific direction while rejecting noise from other directions. They are commonly used in filmmaking and broadcasting for capturing dialogue or sound effects.

4.1.2.2. Lavalier Microphones
Lavalier microphones, often referred to as lapel mics, are small and discreet microphones that are clipped or attached to the clothing of the speaker. They are frequently used in interviews, presentations, and public speaking engagements for capturing clear and hands-free audio.

4.1.2.3. Condenser Microphones
Condenser microphones are highly sensitive and accurate microphones that require power, either from batteries or phantom power. They are commonly used in studio settings and for recording vocals or musical instruments with great detail and fidelity.

4.1.3. Pros and Cons
Different microphones offer unique features and benefits, depending on the specific application and environment. Here are some of the pros and cons:

4.1.3.1. Pros
– Capture high-quality and accurate audio with excellent sensitivity and frequency response.
– Provide options for different pickup patterns, such as cardioid, omnidirectional, or bi-directional.
– Convenient and portable, allowing for easy setup and use in various shooting locations.

4.1.3.2. Cons
– Some microphones may require additional power sources or audio interfaces for proper connectivity.
– External microphones may pick up handling noise or wind noise if not properly protected or stabilized.
– Different microphones may be more suitable for specific applications, requiring multiple mics for versatile audio capture.

4.2. Wireless Systems

4.2.1. Overview
Wireless systems for audio provide the freedom of movement and flexibility during recording or live performances. They eliminate the need for long cables and allow for easy integration with other audio equipment.

4.2.2. Components of Wireless Systems
Wireless audio systems typically consist of the following components:

4.2.2.1. Transmitters
Transmitters are devices that convert the audio signal from a microphone or audio source into a radio frequency signal for wireless transmission. They are usually attached to the microphone or integrated into portable recording devices.

4.2.2.2. Receivers
Receivers capture the radio frequency signal transmitted by the transmitters and convert it back into an audio signal that can be amplified or recorded. They can be connected to audio mixers, cameras, or amplifiers for further processing or monitoring.

4.2.2.3. Antennas
Antennas are used to improve the range and signal strength of wireless systems. They can be external or built-in, depending on the specific wireless system. External antennas can be positioned for optimal signal reception.

4.2.3. Pros and Cons
Wireless systems offer numerous advantages for audio recording and performances, but they also come with some limitations. Here are some of the pros and cons:

4.2.3.1. Pros
– Provide freedom of movement and flexibility during recording or performances.
– Eliminate the need for long audio cables and reduce the risk of tripping or cable tangling.
– Allow for easy integration with other audio equipment and recording devices.

4.2.3.2. Cons
– Limited battery life, requiring regular battery or power source management.
– Susceptible to signal interference or dropouts in crowded or noisy environments.
– Higher cost compared to wired audio systems.

4.3. Audio Recorders and DSLR Cameras

4.3.1. Overview
Audio recorders are dedicated devices used for capturing high-quality audio in various recording scenarios. DSLR cameras, while primarily designed for capturing video, often have built-in microphones for basic audio capture.

4.3.2. Audio Recorders
Dedicated audio recorders offer improved audio quality and control compared to the built-in microphones of DSLR cameras. They often feature multiple inputs, preamps, and recording formats for professional audio recording.

4.3.3. DSLR Cameras
DSLR cameras are popular among videographers and filmmakers due to their versatility and image quality. While their built-in microphones can capture basic audio, they often lack the necessary features for professional audio recording.

4.3.4. Pros and Cons
Choosing between audio recorders and DSLR cameras for audio capture depends on the specific needs and requirements of the project. Here are some of the pros and cons:

4.3.4.1. Pros of Audio Recorders
– Provide higher quality audio with better preamps and recording formats.
– Offer more control over audio settings and inputs for capturing multiple audio sources.
– Can be used independently or in conjunction with DSLR cameras for synchronized audio recording.

4.3.4.2. Cons of Audio Recorders
– Require separate devices and additional setup compared to DSLR cameras.
– May require post-production synchronization of audio and video files.

4.3.4.3. Pros of DSLR Cameras
– Convenient and portable, allowing for integrated video and audio recording.
– Save time and effort in post-production by capturing synchronized audio and video.

4.3.4.4. Cons of DSLR Cameras
– Limited audio quality and control compared to dedicated audio recorders.
– More susceptible to handling and autofocus noise during recording.

In conclusion, understanding the different types of lighting equipment, including continuous lighting and strobe lighting, and the various light modifiers available can greatly enhance the quality and control of your photography or videography projects. Additionally, knowing the types of microphones, wireless systems, and audio recording options can help you capture clear and professional audio to accompany your visual content. Choose the equipment that best suits your needs and project requirements to achieve the desired results in your creative endeavors.